Thursday, November 12, 2009

Max Weismann's Contributions

I would like to begin by thanking Mr. Weismann for his contributions to my blog. Mr. Weismann contacted me, via a "comment" made on Oct. 31, 2009. In return, I found Mr. Weismann's e-mail address and he and I exchanged several e-mails on November 12, 2009. He is a very nice and helpful man, who provided me with several links to videos, which I will include to my blog after I make this post. However, I just wanted to pay tribute to his contributions by adding information about Mr. Weismann, found on the website:
http://www.linkedin.com/pub/max-weismann/9/97a/557


                      
                      About Max Weismann                       



Max Weismann is an American philosopher and a long time friend and colleague of Mortimer Adler, with whom he co-founded the Center for the Study of the Great Ideas in Chicago. He is director and president of the Center and has dedicated his time and talents to promoting the philosophical and pedagogical ideas of Dr. Adler. He also compiled, edited and published, How To Think About the Great Ideas: From the Great Books of Western Civilization--a 600 page tome of never published work from Adler’s television series, The Great Ideas. Weismann serves as chairman of the Great Books Academy [over 3,000 students] and is professor of philosophy at Rushmore University.

Prior to his career in philosophy and education with Dr. Adler, Mr. Weismann was a consultant in the field of architecture, construction management and exhibit design and fabrication. He worked on famous projects like the Century 21, New York and EXPO 67 world’s fairs, with such notables as Buckminster Fuller, Mies van der Rohe, Louis I. Kahn, Paul Rudolph, Marcel Breur, Edward Durell Stone, Minoru Yamasaki, Harry Weese, Moshe Safdie, Jacques Yves Cousteau, Alexander Calder, and Edward L. Barnes. Mr. Weismann oversaw the development and construction of Chicago’s famous Botanic Garden.

Mr. Weismann also invented a revolutionary color imaging system, that was used worldwide in the fields of color proofing and printing, graphic design, television and advertising.

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